GSEB STD-10 (SOCIAL SCIENCE) CHAPTER-2 VIDEO AND TEST
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CULTURAL HERITAGE OF INDIA: HAST ANE LALIT KALA
INDIA IS A COUNTRY OF RICH CULTURAL HERITAGE. IS INCLUDES IS MATERIALISTIC AND GENETICAL HERITAGE.A CHGSEB STD-10ILD INHERITS PHYSICAL AND MENTAL CHARACTERISTICS FROM THE PARENTS BY BIRTH IS KNOWN AS ‘GENETIC INHERITANCE’ .WHEREAS HOUSE, LAND, ESTATES LIKE PROPERTIES OBTAINED FROM ANCESTORS IS CALLED ‘ MATERIAL HERITAGE’. SIMILARLY WHATEVER MAN OBTAINS OR CREATES WITH HIS INTELLECT AND SKILL IS GENERALLY CALLED ‘CULTURAL HERITAGE’. IN THE SAME MANNER TRADITIONS, CUSTOMS, RITUALS AND ESPECIAL TYPES OF LIFE STYLE ADOPTED BY OUR ANCESTORS IS ALSO KNOWN AS ‘CULTURAL HERITAGE’.
INDIA BEING IS ANCIENT COUNTRY OF THE WORLD, HAS ITS BEST TRADITIONS, SOCIAL VALUES, DOGMA, CUSTOMS AND FAMILY SYSTEM. SO IT IS OUR DUTY TO PRESERVE OUR CULTURAL HERITAGE. THERE ARE REFERENCES OF 64 ARTS IN OUR ANCIENT LITERATURE. THEY ARE HANDICRAFT, WORKMANSHIP, KASAB, ART, DRAWING, MUSIC, DRAMATIC ART AND DANCE ETC. OUR ANCIENTS CURRENCIES WERE ALSO VALUABLE. PROSPERITY OF INDIA WAS MAIN ETTRACTION FOR VISITORS TO ATTACK INDIA. TODAY THE EDUCATION OF YOGA HAS BEEN CONSIDERED AS A PART OF CULTURE HERITAGE, WHICH HAS BEEN ACCEPTED BY THE WHOLE WORLD.
ART OF INDIAN HERITAGE:
CULTURAL HERITAGE OF INDIA THE WORLD BEST CULTURAL HERITAGE. BEAUTY OF INDIAN CULTURAL HERITAGE IS LYING IN TRADITIONAL ART OF ITS ARTISANS. THEY HAVE SKILLFULLY DEVELOPED VERIED LIFESTYLE OF PEOPLE THROUGH THEIR REMARKABLE ART AND HANDICRAFT INDUSTRY. WEAVING AND EMBROIDERY, WOODEN ART,CLAY WORK, DRAWING, PAINTING, LEATHER WORK, ENAMEL WORK, ARCHITECTURE , DIAMOND RELATED ARTISTIC WORKMANSHIP AND KNITTING WORK HAVE THEIR UNIQUE IDENTITY IN INDIA ALL CULTURAL HERITAGE IS ARTIST INDIA ALL STATE
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CLAY WORK OF INDIA:
CLAY WORK IS A INDIAN CULTURAL HERITAGE OLD WORK. MAN AND CLAY HAVE BEEN CLOSELY ASSOCIATED SINCE ASIAN TIME. THE WHOLE LIFE OF MAN REVOLVES AROUND IS FROM THE CRADLE TO THE GRAVE. BEFORE THE INVENTION OF METAL, CLAY THINGS WERE USED ABUNDANTLY. TOYS, POTS, PITCHERS, EARTHEN LAMPS, CLAY STOVE, CLAY WARES WERE MADE BY THE POTTERS TO STORE GRAINS MILK, GHEE, CURD, BUTTERMILK. MAXIMUM KITCHEN WARES WERE MADE UP TO CLAY. THE WALL OF THE HOUSES WHERE PLASTERED BY THE PASTE OF COWDUND AND CLAY.
PAINTED GREY WARE POTTERY REMAINS UNEARTHEN IT SEVERAL ARCHAEOLOGICAL SITES IN PUNJAB AND HARYANA. IT IS BELIEVED TO BELONG TO THE RIG VEDIC IRYAN PERIOD. LATER, NORTHERN BLACK POLISHED WARE DEVELOPED AROUND 400 BC. IT WAS A HIGHLY LUSTROUS POTTERY DEVELOPED DURING THE MAURYAN PERIOD.
INDIAN ART OF HAND WEAVING:
SINCE ANCIENT TIME, INDIA IS KNOWN FOR ITS TEXTILE KNOW-HOW. IT IS WELL-KNOWN THAT THE WHOLE PIECE OF CLOTH OF A PARTICULAR SIZE OF FINE MUSLIN OF DHAKA COULD EASILY PASS THROUGH RING AND CLOUD BE ADJUSTED IN A MATCH BOX. MOREOVER CARPET OF SEVERAL REGIONS, KNITTING WORK ON ATTIRES AND ARTISTRY ETC. OCCUPIED A PROMINENT PLACE. AMONGST THE ‘PATOLA’ OF PATAN, KANJIVARAM AND BANARASI SAREES, BANDHANI OF RAJASTHAN ARE UNIQUE IDENTITY OF INDIA,
PATOLA (PATAN-GUJARAT)
Rahul Rasikbhai Dharajiya
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